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The stake of my actions is not the “preservation” of the cultural industry nor the provision of new, refined entertainment.
The creation of situations, models, or objects that take the form of an experiment aims to explore how truth can be artificially generated. Artificial intelligence plays a significant role here, as does the process of hybridizing the human body in a transhumanist reality. Shortening the distance between the artist and the recipient, along with the constant unease stemming from the fact that most of us strive for mental balance and stability due to the unchanging naivety of humankind, is a direction that leads to answers about the flaws of our reality. One such flaw is civilization’s inability to keep up with technology.
By using religion and mythology to justify our own ideas, we always want to position ourselves on the “bright side.” Entering through the basement of civilization, debunking myths, and proposing alternative future scenarios, what matters is the field of conceptual actions, created on our own terms, rather than aesthetic concerns.

Solo exhibitions:

  • 2024: Angel interdependence , ROBOT- Gestalt, The Museum of Contemporary Art Branch of National Museum in Wroclaw – The Four Domes Pavilion, Poland.             .
  • 2024: CLOCKWORK  LOCUST ,66P Piekarnia Gallery , Wroclaw, Poland
  • 2022: Inherent  Vice , Proyectos  Raul Zamudio , Brooklyn  NYC
  • 2017: New Deal , BWA Wroclaw , Poland 
  • 2013: Ex Teresa Arte Actual – Ineluctable Modality of The Visible, Mexico City, Mexico
  • 2011: OTHER GALLERY, Beijing, China
  • 2008: DiVA, New York, NY
  • 2007: White Box “Scum”, New York, NY
  • 2002: Oscar Friedl Gallery, Chicago, IL
  • Caelum Gallery: New York, NY (kilka wystaw bez podanego roku, ale także w 2000, 1998, 1997)
  • Stephen Gang Gallery: New York, NY
  • 1994: Lorenzo Rodriguez Gallery, Chicago, IL
  • 1992: Gallery in the Passage, Wroclaw, Poland
  • Blaue Fabrik Gallery: Dresden, Germany
  • State Gallery of Art: Legnica, Poland
  • 100 Tage Kunst Eine Vereinstaltung Zur Documenta9 Gallery-Studio Kausch: Kassel, Germany

Group exhibitions:

  • 2016: makeamericagreatagain, White Box, New York, NY
  • 2014: Time Code, White Box, New York, NY
  • 2013: The Emo Show, The Elizabeth Foundation for the Arts, New York, NY
  • 2012: Celebrity Skin, White Box Contemporary, San Diego, CA; Body Snatchers, White Box, New York, NY
  • 2011: “How to philosophize with a Hammer”, White Box, New York, NY
  • 2010: The Waste Land, White Box, New York, NY; The Metamorphosis, Other Gallery, Shanghai, China
  • 2009: The Man Who Fell to Earth, Beijing 798 Biennale, Beijing, China
  • 2008: Garden of Delight, 2008 Yeosu International Contemporary Art Festival, Yeosu, South Korea
  • 2007: ART HAUS, Miami, FL; Theatre of Cruelty – White Box, New York, NY
  • 2005: H2O Fluxus-Freude e.V, Wiesbaden, Germany
  • 2004: New New Yorkers, Centre for Contemporary Art, CWZ Zamek Ujazdowski, Warsaw, Poland
  • 2003: Chelsea Art Museum, New York, NY
  • 2001: Studio 84, Brooklyn, NY
  • 1995: National Showcase Exhibition, Alternative Museum, New York, NY
  • 1994: Polish Drawings Now, Visual Arts Museum, New York, NY
  • 1993: Lake Gallery, Toronto, CA
  • 1990: International Art’s Fair Interart, Poznan, Poland
  • 1989: Young Wroclaw State Gallery of Arts, Katowice, Poland
  • 1987: Polish Young Artist Biennale, Wroclaw, Poland

Collections:

  • Warsaw National Museum, Warsaw, Poland
  • Private Collectors: USA, Germany, Poland

Awards:

  • 1987: Polish Young Biennale, Wroclaw, Poland
  • Young Artists’ Award and Exhibition’s Chief Awards

Selected press reviews:

  • LA TEMPESTADA: Mexico, September 2011
  • HI ART: China, July-August 2011
  • New Vision: China, June 2011
  • ART MAP – Beijing: China, October & September 2009
  • The New York Times: New York, August 3, 2007; November 1998
  • Die Welt: Germany, February 22, 2003
  • The Village Voice: New York, December 5, 2000
  • Chicago Tribune: Chicago, March 9, 2000
  • Modern Painters: New York, Spring 1999
  • Artforum: New York, March 1999
  • The Philadelphia Inquirer: Philadelphia, December 20, 1998
  • Arts & Business: Poland, NR 5-6 1993
  • Format: Poland, NR 3-4 1992, NR 1
  • Format: Poland, NR 1, 2 1991; NR 3, 4 1992; NR 3-3 1993
  • Obieg: Poland, NR 04/05 1992; NR 6 1991
  • Exit: Poland, NR 1 1990; NR 1, 2 1992; NR 2 1992
  • Sztuka: Poland, NR 3/88 1988